After many years of deliberate criminal neglect, Jaffa has been rediscovered as a coveted investment opportunity. The film follows the personal struggle of the veteran residents against the threat of eviction orders and reveals the metamorphosis that the city is going through, uncovering both its social and political meanings.

A chronicle of everyday life in a building situated on the border between Tel Aviv and Jaffa.

This first long feature, designed as an immense “tableau vivant” tells the Old Testament story of Esther, who does not know she is Jewish when she is chosen by King Ahasuerus as his wife.

The film consists of about fifty sequence shots conceived as autonomous capsules, mostly shot from a moving car as if this was its inseparable carriage, the moving base of the camera.

The unique friendship of three former senior officers of the Israeli secret service, Reuven Chazak, Rafi Malka and Pelg Radi, who exposed the Bus 300 scandal, and paid a heavy personal price. They reveal rare incidents from their service, and their personal lives.

This third film in the trilogy about cities is set in Mea Shearim, the ultra-orthodox neighbourhood of Jerusalem.

Offering an unmediated view of reality under Israeli occupation, the film is a series of vignettes about Palestinian daily life governed by state violence and the whims of Israeli settlers. It is a story of a vulnerable life, where your only defense is the camera.

One night, in the Sinai desert. Bedouins smuggle east European women through the border. The following day the women are to be auctioned locally…

A chilling and ambitious drama which confronts the Israeli-Palestinian struggle, breaks every stereotype and effectively places responsibility on all of the players.

Each of us heard a different version of Grandma Sonia’s death. Step by step, I discovered what really happened in Nazi Germany, and why, when everyone left for Palestine, Grandma Sonia did not go with them.

Amos Gitai returns to the occupied territories for the first time since his controversial 1982 documentary FIELD DIARY. Gitai drives to the West Bank, where he witnesses the efforts of citizens, Israelis and Palestinians, trying to overcome the consequences of the 50-year occupation.

Attacks with stones, batons, pepper spray, siccing dogs, expelling shepherds, smashing car windows, arson, cutting down trees, stealing crops, landgrab – a collection of videos from the last year in which B'Tselem volunteers documented various cases of settler violence.

Filmed in one sequence-shot of 85 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the "border" between Jaffa and Bat Yam, in Israel.

This film examines for the first time the shocking problem of thousands of construction workers, mostly Arabs, who fall to their deaths from scaffolding.

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large of sum of money.

House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor.

A LAILA IN HAIFA is a comedy-drama about the personal experiences and circumstances of the residents of Haifa, one of the last places where Israelis and Palestinians engage in face-to face political, intimate, cultural, sexual, and antagonistic relationships.

The accusations of Shlomo's Argentinian friends against his father as an accomplice in the overthrow of Peron's popular government in 1955, takes Shlomo on a personal journey into his father's narrative and into the relationship between Peron, the Jews and Israel.

Stains tell the story of Adina, a dark-skinned young woman looking for love in an uncompromising world. She embarks on a journey to define her identity while her skin color changes due to the Vitiligo disease.

In May 2021, the Palestinian citizens of Israel took to the streets in protest, demonstrations that the Israeli police repressed with unprecedented force.

A cinematic docufiction journey about the events that took place on a bare hill in Israel during six days in the early 1960s, when Jewish immigrants from Morocco sent by state to perform workfare jobs of pit digging for tree planting and changing the landscape.